12/19/18

Issue X Seattle Release!

Shawna, Ann Gale

     PageBoy Issue X is out and we are celebrating at the Richard Hugo House in Seattle WA on 1/3/19 at 7p.m. Our tenth issue consists entirely of Seventeens, which are poems or prose works consisting of seventeen words and seventeen words only. We have assembled nearly 40 writers writing in this form! Our featured artist is the fantastic Ann Gale, who graciously allowed us to interview her and print the highlights from our discussion.
      To purchase, please see the link in the sidebar. For more info on the release party, please click here: Issue X Release Party!

11/30/18

PageBoy Issue X Portland Release!


     PageBoy Magazine is releasing our tenth issue on December 16th at the 1122 Gallery in Portland OR! Readers include Jennifer Burdette, Jennifer Denrow, David Fewster, Jesse Morse, Rachel Nelson, Paul Sheprow, and James Yeary. 
     Happy hour beverages available!
     More info here: PageBoy Portland Release!

9/9/18

Tweets from Maine and Texas

Thoreau, wearing earbuds.
     "We are in great haste to construct a magnetic telegraph from Maine to Texas; but Maine and Texas, it may be, have nothing important to communicate."
     - Henry David Thoreau in 1854 (!), questioning our assumptions that technological progress is inherently good for culture. 
     When will we have heard enough of Maine and Texas? 

5/27/18

A Healthy Dose of Cynicism

   
Bossui Reciting A Recipe for Pickled Herring

     "Reciting part of a sutra with the desire to benefit others is like reciting a recipe in the hope it will prevent people from starving."
      -Bossui (in Zen Radicals, Reformers, Rebels)

1/6/18

Call for Work for Our Tenth Issue!!!

O'hara realizing the sky must be above the earth.

     PageBoy Magazine is now accepting submissions for our upcoming (tenth!) issue. We are following our Writers on Writers issue with an issue devoted exclusively to 17 word poems, or "17s" (see below).      
     Please send 5-10 of your best works in prose or poetry - as long as each is exactly and only 17 words short - to pageboymagazine@hotmail.com by March 15, 2018. We are open to any style, any voice, as long as it "works," so do whatever you like with the form. We're curious to see what you come up with!
      -The Editors.
     

     A word on the form:

- 17s are an old form, invented at Harry's Bar on 15th Ave E in Seattle during the fall of 2016. 
- 17s consist simply of 17 words, that is their ONLY constraint.
- That said, 17s rely heavily on / seek to encourage Keats' idea of Negative Capability, when one is "capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason." 
- 17s are meant to wrest language back into the imagination and out of the mundane, "to get that intensity back into the language." (Gertrude Stein)

       A few (further) quotes that were instrumental during the gestation period of the 17s:

 "a word is a bottomless pit"
             -Lyn Hejinian

     "I sometimes think that Leaves of Grass is only a language experiment - that is, an attempt to give spirit, the body, the man, new potentialities of speech."
             -Walt Whitman

      "write everything / the oracle said"
             -Robert Kelly

     "I have news for you ... verse has been tampered with!"
             -Stephane Mallarme

          "The extraordinary nature of language is that it attaches to the prior, to the before one, and to the after one."
             -Robin Blaser

     "It is my duty to be attentive, I am needed by things as the sky must be above the earth."
             -Frank O'hara

     "I do not use the language, I interact with it."
             -Rosemarie Waldrop

     "fragments are our wholes"
             -Clark Coolidge

1/4/18

Little Bits of Memory



    Anna Akhmatova's poem Requiem was written for her son, who was imprisoned by Stalin in the 1930s. She wrote the entire manuscript on scraps of paper that she destroyed as soon as she committed them to memory for fear that she herself would be arrested. A few friends helped her memorize the text, which they carried in quiet for more than twenty years. When they did publish it, in 1963, it had became a kind of oral poetry bearing witness to the crimes of the Soviet Union, specifically the Stalinist regime.